Category Archives: Press



Blinded: Lies and Light by Javier Martin Hong Kong Tatler

Blinded: Lies and Light by Javier Martin

In the midst of preparing for Lies and Light, his first solo show in Asia, Spanish artist Javier Martin sits down with us to discuss art, luxury and politics


Before the extended hand, the first thing you notice when meeting Javier Martin is his broad and engaging smile. As we sit down and begin to talk, it is apparent that Martin is a happy man who, despite having arrived from Miami only two days earlier, seems totally unaffected by the long journey, let alone the jetlag.

“I really like the energy of Hong Kong; it’s crazy here, but crazy in a good way. It’s the sort of energy that I need. The cultural mix and the contrast between the dense city and the peaceful outlying islands inspire me a lot,” says Martin, excited to be back in Hong Kong to prepare for his upcoming solo show: Lies and Light.


Clearly the artist has come a long way since his childhood in Ceuta, a small autonomous Spanish city on the northern coast of Africa. “I did not study and started to work very early because I never wanted to lose my mission, my dream: painting. So I painted and painted. I am self taught and learned everything on my own, from painting to sculpture.”

Art has undoubtedly always been the driving force in his life; there is passion in his voice. “This is who I am – I live for art. Either I make art or I die. I have nothing else to give because all my heart goes into my art. For me, the most important thing is moving people inside. Art is freedom.”

“This is who I am – I live for art. Either I make art or I die.” –Javier Martin


By the age of 9, Martin had already received CAJA Madrid’s award for Spain’s best young artist and his first significant breakthrough came only a decade later in Paris when he showcased works at Maison & Objet, the international design and furniture fair. Today, Martin’s work can be seen in exhibitions in major cities across Europe, America and Asia. “All this did not happen so fast. I have been making art for over twenty years now. This is my whole life,” his modesty compels him to point out. Despite traveling often for shows, the artist has chosen to settle in Miami, a vibrant city that allows him to be close to New York and Latin America, where he is developing new projects.

Lies and Light, opening on March 25 at Loft 22, will continue Martin’s exploration of notions of beauty and superficiality in an attempt to rediscover meaning and truth. Old works, including a few LV Rifles – weapons made of original Louis Vuitton bags – and pieces from the Blindness Collection, will be showcased alongside Universe, a new video created exclusively for this exhibition. Universe will poetically conclude the show with slow-paced images of space travel interlaced with naked bodies.


“All the works up to this point address questions of blindness and superficiality whereas this video is about being human on a more fundamental level. It is very pure.” Stripped of luxury emblems, the video aims to create contrast with and reveal the essential within Martin’s otherwise opulent realm.

This is a world of excessive materialism where pictures of beautiful girls, neon lights, mirrors and Louis Vuitton bags adorn the walls of the gallery. The works are unapologetically flashy, glossy and commercial and it is precisely this deceptive quality that gives the works their strength. “We live in a superficial world so I use these beautiful things to draw people in,” Martin confesses. “When people see something that is very difficult or disturbing, they look the other way.”


Martin’s works are unapologetically flashy, glossy and commercial and it is precisely this deceptive quality that gives the works their strength.

Isolating, displacing and enhancing everyday imagery and objects and elevating them to the status of artwork harkens back to Pop Art, when artists of the twentieth century were attempting to make sense of the capitalist surge in mass production. Employing similar mechanisms, Martin explores the resulting cult of consumption that he sees as a condition of our money-driven century.


Here, we are only a short leap away from Jeff Koons’ mirrored balloon dogs and Sylvie Fleury’s golden shopping carts. “I think that money is a tool for power and control. People see in money another god, a social god. They are blinded by consumerism and the idea of wealth. It is so important not to lose our reality and to reflect on what beauty is. We should not forget the true values in life and how we are blinded by everything.”


Under the works’ polished surface, the message is profoundly political yet carefully steers clear from a denunciatory tone. “Art has a purpose; it should not just be beautiful. As an artist, you have responsibilities. I could not possibly paint flowers in the world we live in. I have the mission to say something meaningful.” Through juxtaposing mundane realities – be they weapons with monogrammed leather handbags (LV Rifles) or cash machines with prayer benches (La Plegaria) – Martin seeks to generate a critical reflection on the socio-economic ramifications of the luxury industry.

“Art has a purpose; it should not just be beautiful. As an artist, you have responsibilities. I could not possibly paint flowers in the world we live in. I have the mission to say something meaningful.” –Javier Martin


Martin’s practice however still begs the question of circularity. Does collaborating with the merchants of consumerism not necessarily prevent a truly analytical and critical outlook? “Every platform is a good platform to convey my message to more people,” asserts Martin. “I like that these multinational companies have the power to communicate a message and choose to be challenging and innovative.”

At this point, he pulls his phone out of his pocket and shows me a picture. It is the rendering of a new building in downtown Miami, a façade of which is entirely covered by one of his works. Assuming the form of a larger-than-life billboard, this piece furthers Martin’s ten-year going Blindness Collection on a new scale, both in size and technology.


Here, a looped video displayed on a three-storey-high screen will serve as the blindfold, replacing the paint and neon lights of previous works, in a bid to respond to our generation’s obsession with social media and digital technologies. With the inauguration set for 2018, it is yet to be seen if the scale of this permanent public artwork will veritably add to the impact of its message. While the sheer ambition of this project in itself deserves praise, the on-going debate remains unsettled as to whether using the system as a means to challenge that same system is a successful mode of critique.


However, the argument that the artist is in fact being played at his own game is a valid one and it is for this reason that I hope to see more of Martin’s purer, more contemplative aesthetic in the future. It is with works like Universe that Martin’s oeuvre has the potential to transcend this limitation. This alone has the capacity to open new and meaningful avenues to engage further with the discourse on superficiality and truth in contemporary society.

Javier Martin IMUJER

Captura de pantalla 2016-02-26 a la(s) 16.01.51.pngCaptura de pantalla 2016-02-26 a la(s) 16-c38.02.04.pngstudio_neon.jpg

Javier Martín nos recibió en su galería en el barrio artístico de Wynwood en Miami donde fuímos a conocer más de cerca su trabajo. Lo más que nos llamó la atención de su arte es que la mujer es la protagonista. El trabajo de Martín es atractivo, lleno de significado y con una misión clara.

Blindness, la serie con la que ha trabajado durante 10 años, muestra a todas las modelos de sus obras con los ojos tapados. El propósito de esto es establecer una conversación sobre la ceguera social y de cómo la sociedad en que vivimos está centrada en todo lo superficial.

“Pienso que es parte de mi infancia y de todo lo que viví en mi vida. Para mí la mujer es la representación de todo. Es la madre y todo nace de la mujer, es como lo veo. También refleja esa sensibilidad y para mí es una ventana para mostrar al mundo muchas cosas desde la mujer.”

Nos comentó Javier Martín sobre el rol de la mujer en Blindness y en toda su obra.


Blindness nació con collage y pintura, Martín también toma algunas de las fotos y hace colaboraciones con fotógrafos. La idea es que cada obra le ofrezca al espectador una oportunidad para pensar y reflexionar.

Javier nació en España y desde los 8 años ha estado involucrado en la pintura. De pequeño era un niño hiperactivo y unas acertadas clases de pintura lo llevaron por el camino del arte para siempre. En el arte encontró una manera de expresar las cosas que siente.


Su proyecto en Downtown Miami

Su proyecto en Downtown Miami
Martín está preparando un proyecto que será parte de un edificio en la ciudad de Miami con el mismo concepto de Blindness pero con una evolución. Serán 50 metros (unas 8 plantas del edificio) y lo que le estará cubriendo los ojos a la mujer será una pantalla de con un videoarte. Martín meterá el arte y un mensaje para la ciudad de Miami en la estructura del edificio.

Durante nuestra interesante conversación hablamos de cómo los seres humanos estamos obsesionados con los medios sociales y cada vez más nos olvidamos del mundo en que vivimos. De igual manera Martín aprovecha y utiliza todas las redes (Instagram y Snapchat) y el apego que tenemos a ellas para acercar al público a su arte.

En el medio de una ciudad que muchos ven como superficial, llevará un mensaje sobre cómo vivimos en una sociedad enfocada en el consumo desmedido. Para este artista, su trabajo viene cargado de muchísima responsabilidad.

Tal como Picasso retrató lo que pasaba en su país con Guérnica, Javier siente que necesita hablar con su arte. “No me pasa nada con el mundo, como artista tengo una misión. Tengo mi responsabilidad de lanzar un lenguaje…” nos comentó.


Nos encantó el trabajo de Javier, es muy interesante encontrarnos con propuestas que enfoquen a la mujer y envíen un mensaje fuera de la cosificación que tanto vemos en la publicidad.

Javier Martin IMUJER

Javier Martin Forbes Magazine


¿Qué pensar ante una escultura de un cepillo de limpieza que es a la vez un lingote de oro o de la imagen de una modelo cegada por luces de neón? ¿Qué sentir frente a la visión de la propia imagen reflejada en el retrato de un dólar gigante? ¿Qué simboliza una escopeta fabricada de piel Louis Vuitton?

La intriga e incertidumbre iniciales se desvanecen al comprender la profundidad del mensaje del artista; este es el objetivo de Javier Martín con su exposición “Guerra, Consumo y Otras Aficiones del Ser Humano”, un recorrido por aquellos temas sociales que marcan la cotidianidad del mundo representados desde una perspectiva irónica que interpela al espectador.


Javier Martín, nacido en la localidad de Ceuta, ciudad española pero situada en continente africano, limítrofe con Marruecos, ganó el premio Caja Madrid para Artistas Jóvenes con tan sólo 9 años, y desde entonces no ha dejado de fundar sus mensajes a través de sus obras.

Javier confiesa que el haber nacido en una ciudad como Ceuta ha influido mucho en su forma de hacer arte ya que siempre ha estado en contacto con otras culturas y ha visto muchas de las situaciones que se viven en un lugar fronterizo, desde entonces su misión ha sido crear obras que hablen de lo que lo rodeaba y ese fue el comienzo de su mensaje conceptual.


Próximamente Javier emplazará un pleno downtown de Miami una obra comisionada por la firma PMG, que es reconocida como una de las constructoras más importantes de la ciudad de Nueva York. Dicha obra pública tendrá aproximadamente unos 50 metros de altura y fusionará diversas técnicas plásticas con video arte, lo que supondrá una excelente oportunidad para redimensionar a escala monumental los conceptos con los que Javier ha trabajado los últimos años.



Image and video hosting by TinyPic



Art Shopping festival for charity, Andorra